In no mind to leave anyone behind, Acustica Audio have modelled correction algorithms for over 170 different models of headphones, including everything from the prestigious Audeze LCD-2 to the trusty Koss Porta Pro. The suite is made up of three separate entities, the first of which is Sienna Reference, which allows you to select your reference (control) headphone from the list of approved headphones. It’s a noble undertaking, and one which can have an extremely powerful and liberating effect on your mix work. Sienna offers a huge range of perspectives to reference, improve and perfect your mixes with, resulting in better quality monitoring for the budding engineer and significantly lowering the price of entry into the world of critical audio – meaning better mixes for all. Italian software developer Acustica Audio know this better than anyone and their new 3 plugin suite, Sienna, is an absolute game-changer, with the ability to emulate world-class studio listening environments and monitoring setups on inexpensive headphones. Thus, referencing your mix on different speaker setups is crucial for getting the full picture of said elephant. ![]() In fact, even the best monitoring set-up, in the most perfectly treated room, referenced at the perfect listening volume, will not give you an exact gauge of how your mixes will translate into the kind of real-world, less-than-ideal listening environments that it is likely to be played in. It’s a tale as old as time, especially for those mixing primarily on headphones. They all touch a different part of the elephant, and come together to explain their own experiences of how they think the beast is shaped one person who had their hand upon the elephant’s leg describing it as a pillar-like tree trunk, another who had their hand upon its trunk described it as a thick snake, and so on and so forth.Īlthough this parable has been around for more than two and a half millennia – well before recorded music – it is still the perfect analogy for the imperfect concept of monitoring, the listening environment and human perception (cause) and its influence on the decision making process (effect).Įvery new engineer would be familiar with the feeling of finally finishing a mix on your home setup – whether it be through headphones, monitors or a combination of both – only to have it completely fall apart when playing it back through a different setup. The parable of the blind men and the elephant describes a situation where a group of blind people come across an elephant for the first time. A simple tabbed interface at the bottom makes it easy to get around.Words by Liam McShane Acustica Audio | Enquire for pricing The buttons and dropdowns in the mixer and track controls are clearly labelled, with the mouse pointer helpfully changing shape as it passes over sliders and knobs. Every audio and instrument clip on the timeline has a convenient preview, mute and loop button, its own volume envelope and a title bar for easy dragging. The creative workflow is clear and straightforward, too, with arming a track for recording a matter of a few clicks, and chopping and arranging takes a breeze. ![]() Several of the included instruments are inspirationally sumptuous. Still, the important thing is how everything sounds, and here we’ve no complaints. The bundled Acoustica effects look cheap too: it can feel like you’re using a shareware tool rather than a pro audio workstation. The timeline and transport controls are slick and colourful, as is the mixer elsewhere you run into boxy buttons and drab dropdowns that hark back to Windows 3. The experience of making music with Mixcraft is a strangely inconsistent one.
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